When the velvet curtain finally dropped, the room went silent. The image didn't show a city of gold or ancient ruins. Instead, it was a hyper-clear, vibrant portrait
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Not all responses were flattering. Some accused her of aestheticizing poverty; others accused her of exploiting grief. Saxe read the critiques and replied to the most earnest ones with letters that were almost confessions. She explained her practice of asking permission when possible, of returning prints, of listening long before lifting her camera. She acknowledged that power dynamics existed and that she could not make them vanish with a photograph. Those exchanges sharpened her; they taught her that ethics in photography was not a set of rules but an ongoing conversation. When the velvet curtain finally dropped, the room