Schubert Impromptu Op 90 No — 2 Harmonic Analysis ((free))

The A section continues with a series of connected phrases, each with its own unique harmonic interest. Notable moments include:

The first phrase ends in the dominant, F-sharp major. Simple enough. schubert impromptu op 90 no 2 harmonic analysis

: This paper explores the relationship between neo-Riemannian and Schenkerian theories to analyze Schubert's harmonic innovation . It specifically focuses on chromatic harmony and the fluid interaction between traditional tonal syntax and transformation . The A section continues with a series of

that is a variant of the B section. Unusually for a work that begins in a major key, it concludes forcefully in E-flat minor , subverting standard classical expectations. Summary of Harmonic Structure Primary Key Key Features E-flat Major Rapid triplets; moves into parallel E-flat minor. Unusually for a work that begins in a

The transition to the B section is a daring harmonic move. Schubert prepares the listener for C-flat major (the flat submediant) but instead pivots enharmonically to B minor for the Trio.